@Dumbarton Oaks

Unidad documental compuesta 182/183 - Correspondence between Ercüment Atabay and Paul Underwood

Área de identidad

Código de referencia

DcWaDIC MS.BZ.004-01-01-04-182/183

Título

Correspondence between Ercüment Atabay and Paul Underwood

Fecha(s)

  • Bulk: 1963-August 1968 (Creación)
  • 1956 - 1973 (Creación)

Nivel de descripción

Unidad documental compuesta

Volumen y soporte

2 folders

Área de contexto

Nombre del productor

Atabay, Ercument (born 1922)

Historia biográfica

Ercüment Atabay was a professor of humanities at Robert College and Bogazici University. In the 1940s and 1950s, he assisted Robert Van Nice in his survey work at Hagia Sophia, recording approximately 1500 mason's marks from the building. He also assisted Paul Underwood while Underwood was field director of the Byzantine Institute.

Nombre del productor

Underwood, Paul A. (Paul Atkins) (February 22,1902-September 22,1968)

Historia biográfica

Paul Underwood was born on February 22, 1902, in Aguadilla, Puerto Rico, and died on September 22, 1968, in Knoxville, TN. He received his Bachelor of Science degree in Architecture with high honors from Princeton University in 1925. From 1929-1931, he practiced architecture in New York, but had to postpone his career in the field due to the Great Depression. During this time, Underwood traveled to Greece, where he stayed for approximately three years, and became interested in classical and medieval monuments. In 1935, Underwood pursued a graduate degree in the Department of Art and Archaeology at his alma mater and graduated in or before 1938. Afterwards, he took a teaching position at Cornell University, where he taught courses in the history of art. After completing his first publications in 1939-1940, Underwood successfully applied for a fellowship at Dumbarton Oaks.

As a junior fellow from 1943 to 1946, Underwood studied the Lateran Baptistery, the relationship of early Christian baptisteries to the tholoi, and the iconography of the “Fountain of Life,” as depicted in early Gospel manuscripts. This research resulted in an article, “The Fountain of Life in Manuscripts of the Gospels,” which was published in Dumbarton Oaks Papers (vol. 5, 1950). In February 11, 1946, the Trustees for Harvard University “voted to appoint Paul Atkins Underwood as Instructor of Byzantine Art and Archaeology at [Dumbarton Oaks for one year],” but they immediately promoted him to Assistant Professor of Byzantine Art and Archaeology in the same year until 1951. He was subsequently appointed Associate Professor of Byzantine Architecture and Archaeology in 1951-1955 (and Field Director of the Byzantine Institute, Inc., starting in 1951) and Professor of Byzantine Architecture and Archaeology in July 1960.

During his junior fellowship, Underwood, an architectural historian, joined Albert M. Friend, an art historian, and Glanville Downey, a philologist, to work on the reconstruction of the lost monument of the Holy Apostles in Constantinople. During the 1948 Dumbarton Oaks symposium, “The Church of the Holy Apostles at Constantinople,” Underwood presented two papers entitled “The Architecture of Justinian’s Church of the Holy Apostles, Parts I and II.”

After 1951, Underwood devoted the majority of his time to the Byzantine Institute, Inc., having been appointed Field Director after the death of Thomas Whittemore, the Institute’s founder and director, in 1950. He held this position until 1964. During the transition period, Underwood continued the restoration and conservation work in Istanbul, and published several reports in Dumbarton Oaks Papers on the Byzantine Institute’s work at Hagia Sophia and Kariye Camii. Other endeavors under his directorship included: the uncovering of the 7th century pavement in the Church of the Pantocrator (also known as St. Savior Pantocrator or Molla Zeyrek Camii) that was carried out from 1954 to 1962; the restoration of mosaics in the Fethiye Camii (Church of Theotokos Pammakaristos) from 1949 to 1963; the conservation of a fresco discovered at the church of St. Euphemia in 1958; and the repair work in the Fenari Isa Camii (Lips Monastery) from 1960 to 1964. Also during this period, the Byzantine Institute’s conservators worked on the mosaic of the Transfiguration at the monastery of St. Catherine on Mt. Sinai in Egypt in 1959. All of these fieldwork projects led to extensive publications.

Historia archivística

Origen del ingreso o transferencia

Área de contenido y estructura

Alcance y contenido

Relates to fieldwork projects at Hagia Sophia and Kariye Camii. Also includes newspaper clippings about other discoveries in Istanbul.

Valorización, destrucción y programación

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Fuentes

Área de derechos

Derecho relacionado

The Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers, ca. late 1920s-2000s

Acción

Research

Autorización

Permitir

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Titular de derechos

Nota(s) sobre los derechos

Preferred citation: The Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers, ca. late 1920s-2000s, MS.BZ.004, Image Collections and Fieldwork Archives, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C.

Fundamento

Política

Derecho relacionado

The Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers, ca. late 1920s-2000s

Acción

Publish

Autorización

Permitir

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Fecha final

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Nota(s) sobre los derechos

Copyright for Byzantine Institute materials belong to Dumbarton Oaks. However, permission to publish materials created by other correspondents must be obtained from the copyright holder.

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Unidad de almacenaje

  • Caja: MS.BZ.004, Subgroup 01, Box 013